Week Four #readNDN #2sDayPoems

Tags

#readNDN, #readwomen, Bad Indians, California Indians, Chumash, Deborah A Miranda, Essenlen, Gloria Bird, Greenfield Review Press, guest post, Indian Cartography, Native American Heritage Month, Native American Women's Poetry, prose poems, Reinventing the Enemy's Language, Spokane, Stories I Tell My Daughter, The River of History, Trask House Press, What We Owe, women poets

So sad to be wrapping up this special Native American Heritage Month series of #2sDayPoems. I hope you have enjoyed it as much as I have, but even more importantly, I hope that you have found some NDN poets you really love. Feel free to write a guest blog post if you did!!

I love to hear from you fabulous readers. The poetry community is more fun as it grows!

Ok, enough on that tangent.  Here’s today’s poets:

Deborah Miranda (Esselen/Chumash) has written a fascinating “tribal memoir” about her own Esselen family group and California Indians in general, titled Bad Indians that I recommended in another post. She also has several collections of poetry out.  The one that I find myself returning to is Indian Cartography (Greenfield Review Press, 1998).

“Stories I Tell my Daughter” is one of my favorite poems from the book. She also blogs at–you guessed it –Bad NDNS on blogspot.

 

Poet and critic Gloria Bird (Spokane) released a powerful collection of prose poems called The River of History (Trask House Press) in the late nineties. Today’s poem  “What We Owe” is from that work.

Another interesting read is Reinventing the Enemy’s Language: Contemporary Native Women’s Writings of North of America, which she co-edited with Joy Harjo.

 

 

 

 

 

 

Advertisements

Week Three #readNDN #2sDayPoems

Tags

#readNDN, #readwomen, Catching Cooper, Copper Canyon Press, Crazy Brave, DiveDapper, Joy Harjo, Mojave, Muscogee, Natalie Diaz, Native American Heritage Month, native american poetry, Native American Women's Poetry, NPR, Patterns in Mudhills, Secrets from the Center of the World, Stephem Strom, University of Arizona Press, When My Brother Was An Aztec, women poets

I am so impressed by Natalie Diaz (Mojave). Not only does her poetry make me feel like I’m falling off a cliff–in a good way, of course–but her work in preserving the Mojave language gives me hope for other endangered Native tongues.

If you don’t have her first collection When My Brother Was an Aztec (Copper Canyon, 2012),get it. And be anticipating the release of her second collection, also with with Copper Canyon, that she teased in this late 2015 interview at DiveDapper. You’ll find links to several of her new poems there.

But the one I wanted to share with you today is “Catching Cooper“. You won’t be the same after you read it.

 

Okay, if you’ve spent any time on this blog, you’ve seen this woman. Joy Harjo (Mvskoke) opened the door to Native American poetry for me and continues to be my poet-hero. Get all her books immediately, seriously, like right now.

The poem I’m sharing today is from Secrets From the Center of the World (Univ. of AZ press), which pairs her poems with the photography of Stephen Strom.

This is “Patterns in Mudhills“.

OMG! So beautiful. Check out her interview at NPR about finding her voice and her memoir Crazy Brave. Oh yeah, she reads a few poems there too.

 

 

Week Two #readNDN #2sDayPoems

Tags

#readNDN, #readwomen, Allison Hedge Coke, American Life in Poetry, Bee Poems, Burn, Cell Traffic, Cherokee, Coffee House Press, Curator of Ephemera at the New Museum of Archaic Media, Heid E. Erdrich, Huron, If Bees Were Few, MadHat Press, Metis, Michigan State University Press, Natalie Diaz, Native American Heritage Month, native american poetry, Native American Women's Poetry, Off-Season City Pipe, Ojibwe, Pen Ten interview, Poetry Foundation, Stung, The Change, University of Arizona Press, University of Minnesota, women poets

Award-winning poet and activist Allison Adelle Hedge Coke (Huron/Metis/mixed Cherokee, SE Native) writes the type of poetry that  is seared into the mind like a daguerreotype at the shortest  exposure. Fittingly, her latest collection is titled Burn (MadHat Press, 2017) and is an illustrated poetic endeavor. How cool is that?

Haven’t actually got my hands on it yet, but I hope to love it as much as Dog Road Woman (Coffee House Press, 1997), or Off-Season City Pipe (Coffee House, 2005).

Trust me, you’ll love her work. Here’s  “The Change,” straight outta Dog Road Woman, hosted at the Poetry Foundation archives.

 

So you’ve heard me talk about Heid E. Erdrich (Ojibwe) before.  ICYMI, I highly recommend her 2012 collection Cell Traffic (Univ. of AZ Press). The jury is still out on her latest Curator of Ephemera at the New Museum of Archaic Media (Michigan State Univ Press). It’s kinda trippy, what with its fairies, QR codes that link to film poems and other weird, but good, shit.

Before you dive into that book, try some of her more earthy work, like “Stung,” from the anthology If Bees Were Few: A Hive of Bee Poems. You’lll want Santa to bring you that one.

And while you’re out there floating in cyberspace, check out this Pen Ten interview with Heid E. and her sister, fellow writer Louise Erdrich, where the ladies answer questions (presented by Natalie Diaz) on writing in general and space for the voices of indigenous women.

 

 

 

 

 

 

Week One #readNDN #2sDayPoems

Tags

#readNDN, #readwomen, Compass, DiveDapper, Graywolf Press, Inupiaq, Joan Naviyuk Kane, Lakota, Layli Long Soldier, Milk Black Carbon, Native American Heritage Month, native american poetry, Native American Women's Poetry, Northshore Press, Pitt Poetry, The Cormorant Hunter's Wife, West Texas Talk, Whereas, women poets

In honor of Native American Heritage Month, the next four #2sDayPoems posts will highlight work by my favorite native writers.

I’ve been a fan of  Joan Naviyuk Kane (Inupiaq) since 2009 when her first collection The Cormorant Hunter’s Wife was released by Northshore Press. As you’ll see from the link, it’s now available in a second edition as part of the Alaska Literary Series. Anyhow, I was delighted to find (and share with you) her poem “Compass,” which is read to you by the author in both English and Inupiaq.

You can hear a few more of her poems scattered throughout this interview with West Texas Talk. Her latest book Milk Black Carbon, released early this year, should be at the top of your wishlist.

 

Layli Long Soldier (Oglala Lakota) definitely blew me away with her debut collection Whereas (Graywolf Press).  It is currently a finalist for the National Book Award and has been reviewed and recommended by The New York Times, the LA Times and several other national publications.  And though, you may have heard her name connected to the pipeline issue at Standing Rock, she insists that she never set out to be a political poet.

That statement is in spite of the fact that the book grew out of news of the buried apology to Native Americans in the Defense Appropriations Act of 2009. Boy was that thing buried! Read this excerpt from the collection for yourself, and you’ll see that she is an extraordinary talent, who arrived on the scene just in time.

Also, be sure to check out  this interesting interview on poetry as prayer, or this one at DiveDapper for more of her encouraging words.

 

 

 

 

 

 

 

 

 

 

 

News from NDN Country & An Intro to Native American Women’s Poetry

Tags

#PresRezVisit, Alaska State Writer, Celebration 2014, Luci Tapahonso, Native American Women's Poetry, native american writing essential reading list, Navajo Nation Poet Laureate, NDN country, Nora Marks Dauenhauer, Reinventing the Enemy's Language, Sealaska Heritage, Tlingit language

Celebration 2014, the biennial festival of Tlingit, Haida and Tsimshian people of Southeast Alaska, wrapped up in Juneau last week.  Fast on its heels was the historic Presidential visit to the Standing Rock Sioux of North Dakota.  It did not receive much coverage in the mainstream media, but there was an active following on Twitter under the hashtag #PresRezVisit with some interesting selfies.

In poetry news, the previous month the Navajo Nation introduced its first-ever Poet Laureate, the uber-talented Luci Tapahonso. Those of you who follow on Twitter, will recall that I posted this poem from Sáanii Dahataal/The Women Are Singing: Poems and Stories (which also appeared in Indian Country Media on May 27th):

 

She Says

The cool October night, and his tall gray hat
throws sharp shadows on the ground.
Somewhere west of the black volcanoes,
dogs are barking at something no one else can see.

His voice a white cloud,
plumes of chimney smoke suspended in the dark.

Later we are dancing in the living room,
his hand warm on the small of my back.
It is music that doesn’t change.

The ground outside is frozen,
trees glisten with moon frost.

The night is a careful abandonment of other voices,
his girlfriend’s outburst brimming at the edge of the morning,

and I think I have aged so.
His warm hands and my own laugh are all we share in this other life
strung together by missing years and dry desert evenings.

Tomorrow the thin ice on black weeds will shimmer in the sun,
and the horses wait for him.
At his house around noon, thin strands of icicles drop
to the ground in silence.

Early Saturday, the appaloosa runs free near Moenkopi.

The dog yips, yips alongside.

 

Since many of you may not be familiar with the incredible body of Native American women’s poetry, I have put together a list of collections under the title “Dive Into Native American Women’s Poetry” with each poet’s tribal affiliation listed beside the collection.  Stock your library with titles and please encourage your universities to consider offering an introductory course or workshop, perhaps with Reinventing the Enemy’s Language: Contemporary Native Women’s Writings of North America as a manageable base.

For more of a fiction-based list, please see my previous post “NDN’s with Pens” for an essential reading list of Native American writing.

And one more somewhat selfish note: since Tlingit poet Nora Marks Dauenhauer has been in the Alaska State Writer post, she has endeavored to bolster the native languages.   Please consider giving a donation to the Sealaska Heritage Institute which is working diligently to keep the Tlingit language alive.  The link will give you lots of fun resources to play with, including Tlingit holiday phrases and dog commands.

Gunalchéesh Thank you!

And Happy Reading!!!!!