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Tag Archives: Nin Andrews

#NationalPoetryMonth’16 Round-up (Day 24)

24 Sunday Apr 2016

Posted by BoneSpark Blog in National Poetry Month '16

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#NaPoWriMo, #NationalPoetryMonth, Apparatus Magazine, Cherry Smith, Diane Beth Garden, Ellery Akers, Found Poetry Review, Indiana Humanities, Irish poets, Jo Bell, Kate Foley, Laura Tohe, Lit Hub, Mariah Wilson, Mary Carroll Hackett, Monica Youn, Native American Poets, Nin Andrews, NotaLiteraryJournal, NPM16, Pacific Islander poets, Poem a Day, Poetic Asides, poetry prompts, Poetry School, QuillsEdge Press, women poets

24

DAY TWENTY-FOUR of the best prompts, poems and news from your  #NaPoWriMo/#NPM16/#NaPoMo /#NationalPoetryMonth/#poemaday hashtags.

Best of the Prompts

NaPoWriMo’s “Mix& Match prompt”
NotaLiteraryJournal’s “Dream Visitors prompt”
Poetic Asides P-A-D “Lost& Regained prompt”
Poetry School’s “A4 Prompt”
Mariah Wilson’s “Poem to a Crush prompt”
QuillsEdge Press’ “The Wind’s Always Talking About__ prompt”
Found Poetry’s “Erasure + prompt”
Apparatus Mag’s “Treasured Possessions prompt”
Jo Bell’s “Museum Visit prompt”
Indiana Humanities’ “Plein Air Word Painting prompt”
Mary Carroll-Hackett’s “Makers prompt”
Kate Foley’s “What Terrifies You prompt”

Poems I Have Loved (Tweeters’ Shares)

Diane Beth Garden “Measure to Movements”
Ellery Akers “The Word That is a Prayer”
Nin Andrews “My Invisible Valentine”
Cherry Smyth “Evensong”
Laura Tohe “Half-Light”

Miscellaneous

Six Pacific Islanders Poets You Should Know (Lit Hub)
The New Yorker Poetry Podcast w/ Monica Youn

**Poets, if you would like to be featured in 2sDay Poems, have your collection reviewed, guest post in the Poetry Lab or blog on any of the Thoughts on Poetry topics, including Foremother Friday or Small Press Interviews, drop me a line at  bonesparkblog@yahoo.com.

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#NationalPoetryMonth’16 Round-up (Day 17)

17 Sunday Apr 2016

Posted by BoneSpark Blog in National Poetry Month '16

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#NaPoWriMo, #NationalPoetryMonth, 30dpc, Apparatus Magazine, Bill Lavender, Clair Askew, Found Poetry Review, Francine Sterle, Imaginary Garden with Real Toads, Indiana Humanities, Jack Gilbert, Jo Bell, Kate Foley, Lagan Press, Mahtem Shiferraw, Mariah Wilson, Michael Schmeltzer, Mona Arshi, Nin Andrews, NotaLiteraryJournal, NPM16, Orooj E. Zafar, Poem a Day, Poetic Asides, poetry prompts, Poetry School, QuillsEdge Press, Reading Life, The Writer's Center, Vladmir Lucien, women poets

17

DAY SEVENTEEN of the best prompts, poems and news from your  #NaPoWriMo/#NPM16/#NaPoMo /#NationalPoetryMonth/#poemaday hashtags.

Best of the Prompts

NaPoWriMo’s “Specialized Dictionary prompt”
NotaLiteraryJournal’s “Weather in the First Person prompt”
Indiana Humanities’ “Regret prompt”
Poetic Asides P-A-D “Haiku challenge”
Mariah Wilson’s “Color prompt”
QuillsEdge Press’ “At Sunrise, I Smell/Sense ___ prompt”
Found Poetry’s “Google Translate prompt”
Apparatus Mag’s “Famous Person prompt”
Imaginary Garden’s “Power of Three prompt”
30dpc “Elegy/Dirge/Lament prompt”
Kate Foley’s “True Self vs. Online prompt”
Jo Bell’s “Blessings prompt”
Poetry School’s “Couplets challenge”
Lagan Press’ “Constrained Writing #2 prompt”
The Writer’s Center “New Vocabulary (Poetry Game) prompt”
Winter Tangerine’s “Poem Made of Questions prompt”

Poems I Have Loved (Tweeters’ Shares)

Francine Sterle “Dreaming of Picasso”
Vladmir Lucien “Ebb I” (audio w/ commentary)
Mahtem Shiferraw “E is for Eden”
Mona Arshi “The Daughters”
Orooj E. Zafar “The Day I Became My Mother’s Daughter”
Michael Schmeltzer “RE: RE: Personal Ad #6”
Jack Gilbert “Alone”
Nin Andrews “The Artichoke”

Miscellaneous

Reading Life podcast w/ Vivian Small & Bill Lavender (poetry part starts 12:34)
The Verb w/ Poet Claire Askew (BBC Radio 3)

**Poets, if you would like to be featured in 2sDay Poems, have your collection reviewed, guest post in the Poetry Lab or blog on any of the Thoughts on Poetry topics, including Foremother Friday or Small Press Interviews, drop me a line at  bonesparkblog@yahoo.com.

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HOT TOPIC: To Swear or Not to Swear!! Should We Ban Literature that Dares to Say WTF?

15 Thursday Aug 2013

Posted by BoneSpark Blog in C.A. Explains It All

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Blasphemy, Captain Underpants, J.J. Connolly, Layer Cake, lit mags, Nin Andrews, Notes for a Sermon on the Mount, Profanity, Sherman Alexie, swearing, YA fiction

SwearingWith apologies to my mother, I really must weigh in on this topic since I am seeing a lot of lit mags put a ban on profanity, or at least strongly discouraging its use. [Read those guidelines.]

And while I am not an advocate of so-called “potty mouth,” I think that refusing such work is short-sighted. And here’s why:  Sherman Alexie, Nin Andrews and J.J. Connolly.

What?  Bear with me. I am getting to the point.

Which is that under some of these editors’ guidelines, we would not have gotten to enjoy some really goddamn good stuff.

blasphemyLet’s take Alexie’s short story Cry, Cry, Cry from Blasphemy as an example.  Without all those explicatives (you can count them if you want) the story just doesn’t work.  And by not work, I mean that we would not get the same taste for Junior and his cousin’s world without them.  They are, therefore, absolutely essential to the story.

Such is the case for the body of poet Nin Andrews’ work.  I mean she practically owns the word “pussy”.  [Yes, I did get the irony in that statement.] Who amongst us could live without the poem Notes for a Sermon on the Mount which begins:  “1. Pussies are not gods.”

2001-md Classy.  You’ll find it in The Best American Poetry 2001.

I don’t think I’ve looked at the world in quite the same way since I read that poem. And neither would I have gotten my hands on J.J. Connolly’s book if some had their way.

Layer Cake (WAY better than the movie) could have been blocked by the publishing house.  Publishers says that they are just as tried of all the fuck, fuck, fucks as the lit mags.

layercWell, I am sorry, all you shit-phobes.  Despite the frequent use of the f word, Layer Cake is very skillfully written and the profanity is actually necessary to the narrator’s characterization.

Without it, the book would fall flat.  It would be like trying to cut up Pulp Fiction to make it G-rated. And who the hell wants to see thatt? Not me! Give me the cussin’ in all of its full glory. If we can tolerate the language in film, why not in literature?  Are we too good for ourselves?  Christ!

Now, don’t get me wrong!  I am not saying that this shit is appropriate for young audiences.  I am against the copious use of such language in YA literature.

I hear from this researcher that it is more of a problem than I thought. Just because “potty mouth” is a part of teen/tween culture doesn’t mean that I have to support it.

Neither am I saying ban a whole book for one or two words.  Come on. You’re afraid of Captain Underpants. Really?  My kids love those books. underpants

But kid-lit and YA aside, if you are an adult writing for other adults, who am I to say that your work doesn’t demand profanity in terms of character or setting or whatever.

What I do want is for you to keep craftsmanship in mind (as always).  Profanity really is sometimes just the right word.  Abso-fucking-lutely.

Maybe you don’t feel that way.  These are all my opinions. I prefer to have some and share. Let me know what you think. Comments welcome.

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